Support Sister Outsider Relief Grant & The Underground Museum

June 18, 2020

Join Rema Ghuloum and ECAA to Help Support
Sister Outsider Relief Grant & The Underground Museum

In a committed effort towards supporting earnest structural change brought about by the current uprising against systemic racism, police brutality and social and economic injustice; the gallery will be donating 100% of the proceeds of Rema Ghuloum's Ether Drawing (5/2/2020) and match the proceeds and contribute them two worthy organizations equally —The Underground Museum and The Free Black Woman's Library. The drawing may be purchased on Artsy before June 30 and is subject to prior sale.


Online Debut of ECAA's Art into Action Public Programming

June 18, 2020

Join Rema Ghuloum & Edward Cella In Conversation Live

Announcing a new series of live broadcasts from the studios of ECAA artists and community members in dialog highlighting ideas, art-making, and social engagement. The first features Rema Ghuloum and Edward Cella discussing her online exhibition, Ether Drawings. Created over a five-week period, they are the result of Ghuloum’s adaptation of her fluid yet intuitive creative process to create a single small format work daily. Like a form of meditation, the intimate, small-format drawings are made through layering of color and gesture. Marking an unprecedented moment, Ghuloum will discuss Ether Drawings in the context of recent projects and reflect on larger themes of memory, studio practices, and relevancy of art-making in the contemporary moment.

Please plan to join our live Zoom webinar:
When: Jun 23, 2020 01:00 PM Pacific Time (US and Canada)

Please register in advance. The conversation will be available to stream afterwards.


Amir Zaki: Empty Vessel's at UC Culver Center for the Arts

February 1, 2020

Empty Vessel – Amir Zaki presents two new bodies of photographs by Amir Zaki featuring either vacant landscapes of California skateparks or still lifes of shards from broken, ceramic containers. The shards are clearly from earthenware pots, but both subjects are “vessels” in that the skateparks are sunken into the clay of the earth. Hung in proximity to one another, sometimes juxtaposed, the images generate a complex conversation around the notion of “emptiness,” which includes removing presuppositions from one’s mind about what one is about to experience, is experiencing, or has experienced. By disentangling the mind of one’s own stories and worries, one can be open to other possibilities presented by perception itself. Thus Zaki’s Empty Vessel, as an exhibition, provides a platform for contemplating duality and the more ambiguous third space that exists between linked elements which cannot exist without each other: form and emptiness; function and aesthetics; holding and letting go; containing and emptying.

Empty Vessel – Amir Zaki is accompanied by Zaki's first internationally distributed monograph, “California Concrete: A Landscape of Skateparks,” published by Merrell Publishers, with essays by the artist, famed skateboarder Tony Hawk, and Los Angeles-based architect Peter Zellner.

 Empty Vessel—Amir Zaki was originally organized by the Frank M. Doyle Arts Pavilion, Orange Coast College, and curated by Tyler Stallings, director at The Doyle. Lead sponsorship of the exhibition at UCR ARTS is provided by UCR College of Humanities, Arts, and Social Sciences, and the City of Riverside.

Winter Opening Reception: February 29, 2020 6pm-8pm


Artist Talk Video: Jeffrey Vallance in conversation with Constance Mallinson

November 23, 2019 - Edward Cella Art & Architecture

On November, 16 2019 Jeffrey Vallance and Constance Mallinson joined us at the gallery for part of our public exhibition programming for their exhibitions "Jeffrey Vallance La Chappelle De Poulet, 2019" and "Paint into Pattern: Constance Mallinson 1979-1982, 2019". The Artist Talk "Artist to Artist: Jeffrey Vallance in conversation with Constance Mallinson" featured the Artist's interviewing each other about curating, collecting, and making art in Los Angeles.

Watch the full video on Vimeo.

Jeffrey Vallance: Pray to Blinky

November 16, 2019 - Shana Nys Dambrot

A painter, assemblage sculptor, conceptualist, performance artist, and a provocative practitioner of a lot of other random in-betweens, Jeffrey Vallance is also the founder of a sort of society — cult is too strong a word — united by appreciation of the fine persona and kitschy critique of a frozen Foster Farms chicken named Blinky whom Vallance laid to rest amid much fanfare at the Los Angeles Pet Memorial Park in 1978.

Read More.

Empty Vessel Exhibition Highlights Beauty and Spirituality in the Ordinary

November 13, 2019 - Liz Goldner

Take a cursory look at the large artworks hung on the walls in “Empty Vessel – Amir Zaki” at Orange Coast College. The pictures might be architectural drawings from a science fiction novel.

The images display broad expanses of concrete, which has been seemingly sculpted into circular, clean cut and even jagged forms, with several shapes echoing the hills and mountains beyond. The viewer might wonder if these 22 compelling pictures, some including tropical foliage and sharp shadows, are drawings or paintings inspired by the artist’s fertile imagination.

Read More.

Amir Zaki: The Urban Environment of Californian Skateparks

October 15, 2019 - Francesca Grillo

Concrete Vessel is a series of photographs representing the skateparks of California. Capturing empty environments, the artist focused on curved shapes and caves.

Read the full article on Domus.

Exalting The Banal To The Monumental Through California Skate Parks

October 13, 2019 - Emma Bowman

Undulating bowls, sloping half-pipes, cavernous barrels. A towering cradle that resembles Yosemite's Half Dome.

Devoid of their usual inhabitants, the skate parks dotting the stretches of California are alone works of art in the eyes of photographer Amir Zaki.

His new photo-book, California Concrete: A Landscape of Skateparks, features Zaki's photos of 12 major skate parks throughout the Golden State. The brutalist structures that emerge at these sites, from San Jose's Cunningham Lake to Linda Vista in San Diego, fill a void in landscape photography and capture a pivotal cultural moment.

Read the full article on NPR.

Latino History: Photographer Pedro E. Guerrero's Fascinating Journey

October 9, 2019 - Raul A. Reyes

The late photographer Pedro E. Guerrero used to have a humorous stock answer for the young people (and their parents) who approached him seeking advice on how to break into his field. “Start at the top,” he would say. “That’s what I did!” Although Guerrero was joking, his answer was not far from the truth. By the age of 22, he was under the tutelage of legendary architect and designer Frank Lloyd Wright, and he went on to become one of the most sought-after commercial photographers of the “Mad Men” era in New York CityGuerrero later collaborated with the acclaimed sculptors Alexander Calder and Louise Nevelson. Yet despite having worked closely with three of them most iconic American artists of the 20th century, Guerrero remains largely unknown.

Read the Full Article.

Photographs as Experiences about Looking: An Interview with Amir Zaki

October 7, 2019 - koozarch

Zaki has an ongoing interest in the rhetoric of authenticity, as it is associated with photography as an indexical media. Simultaneously, he is deeply invested in exploring digital technology’s transformative potential to disrupt that assumed authenticity. However, his interest is not in utilizing digital trickery as illustration to undermine a photograph’s veracity. In fact, Zaki often creates hybridized photographs that carefully use the vocabulary of the documentary style so that the viewer’s belief in its veracity remains intact, at least initially.  He constructs scenes that are somewhat off-register, ‘out of key’, and ever so slightly faux. He often uses the architectural and organic landscape of California as a subject, as it seems particularly appropriate to his process. This is largely because, either through media myth, reality or a combination of the two, the architecture and surrounding landscape in California is itself an evolving bastardization of styles and forms, in other words a pastiche. California is home to a collision of high modernist ideals, suburban McMansions, high-rise density, endless asphalt grids, deserts, mountains, beaches, Los Angeles urbanism, Inland Empire sprawl, Orange Curtain conservatism, the Crystal Cathedral, and the Integratron. It should be made clear that although Zaki is fascinated and inspired by this architectural and cultural entropy, his intention is not to record, replicate or simply document a preexisting postmodern pastiche. More precisely, his work begins with the familiar, by looking at objects, structures and locations that are often pedestrian and banal. And by capitalizing on the presumed veracity that photographs continue to command, along with the transformative, yet invisible digital alterations he employs, his images depict structures that that aspire to be added to the list of the hodge-podge built landscape that creates the California mythology.

Read Full Interview Here.