Guerrero: Calder & Nevelson, In Their Studios
Edward Cella Art & Architecture is proud to present Guerrero: Calder & Nevelson, In Their Studios, an exhibition of captivating photographs from the estate of Pedro E. Guerrero. Best known for his images of the life and work of American architect, Frank Lloyd Wright, this exhibition highlights for the first-time, Guerrero’s intimate documentation of renowned sculptors Alexander Calder and Louise Nevelson in their homes and studios. The exhibition includes sculptures and collages by Calder and Nevelson that provide a direct context for the viewer. This presentation also serves to celebrate the centennial of Guerrero’s birth in 1917.
Edward Cella Art & Architecture is proud to present Guerrero: Calder & Nevelson, In Their Studios, an exhibition of captivating photographs from the estate of Pedro E. Guerrero. Best known for his images of the life and work of American architect, Frank Lloyd Wright, this exhibition highlights for the first-time, Guerrero’s intimate documentation of renowned sculptors Alexander Calder and Louise Nevelson in their homes and studios. The exhibition includes sculptures and collages by Calder and Nevelson that provide a direct context for the viewer. This presentation also serves to celebrate the centennial of Guerrero’s birth in 1917.
Born in Casa Grande, Arizona, Guerrero describes his interest in art in connection to his Mexican-American heritage: “I was trying to escape the bigotry of my hometown, and I thought being an artist would be exotic.” After dropping out of the Art Center School in Los Angeles at the age of 22, Guerrero was spontaneously hired by Frank Lloyd Wright to document the construction of Taleisin West, and continued to serve as his most trusted observer until Wright’s death in 1959. Photographs from this period will be exhibited in MoMA’s forthcoming exhibition Frank Lloyd Wright at 150: Unpacking the Archive.
When on assignment to shoot Alexander Calder’s kitchen for Home and Gardens magazine, Guerrero quickly realized that his interest extended far past a glossy magazine article. This brief meeting developed into a remarkable thirteen-year documentation of the personal life and practice of one of the 20th century’s most celebrated sculptors. Calder’s grandson, Alexander S. C. Rower, described of Guerrero’s work as, “[His photographs] accurately show how my grandparents lived, with simplicity and humanity.” Guerrero chronicled the Calders’ homes in both Roxbury, Connecticut and Saché, France, and affectionately referred to Alexander’s studio as “the most glorious mess I had ever seen.” Additionally, he documented the installation of Calder’s 1964 retrospective at the Guggenheim Museum in New York City, and sustained a close friendship with the artist until his death in 1976.
In 1979, Guerrero was commissioned by the Whitney Museum of American Art to photograph the home and studio of sculptor Louise Nevelson for an exhibition and monograph entitled, Louise Nevelson: Atmospheres and Environments. As Guerrero described, “Her environment itself was a work of art.” Nevelson’s largely black-on-black works provided a unique technical challenge, resulting in arresting contrast and play of light. A forthcoming exhibition organized by the Farnsworth Museum, entitled Black and White: Louise Nevelson/Pedro Guerrero, will further document their collaboration.
Guerrero’s work has been featured in books, documentary films, magazines, and exhibited in major American and European collections. Additional forthcoming exhibitions include The Mexican Museum (San Francisco, CA) Eastern Connecticut State University (Willimantic, CT) and Taliesin (Spring Green, WI). Guerrero is the author of several books including Picturing Wright, An Album from Frank Lloyd Wright’s Photographer (1993), Calder at Home: The Joyous Environment of Alexander Calder (1998) and Pedro E. Guerrero: A Photographer’s Journey (2007).
SPECIAL EXHIBITION PROGRAM
IN CONVERSATION: DIXIE GUERRERO, EMILY BILLS & EDWARD CELLA
Prior to the Opening Reception, Dixie Guerrero, widow of Pedro Guerrero, independent curator and historian Dr. Emily Bills, and Edward Cella will discuss Guerrero’s extraordinary legacy documenting the personal lives and practices of celebrated artists and architects.
Emily Bills received her PhD in the history of architecture and urbanism from the Institute of Fine Arts at New York University. She is Participating Adjunct Professor and Coordinator of the Urban Studies Program at Woodbury University. She has curated exhibitions on Hélène Binet, Pedro E. Guerrero, Catherine Opie, and Richard Barnes, among others. Emily is currently working on a book about architectural photographer Marvin Rand, to be published by Phaidon.
Dixie Legler Guerrero was the founder and editor of the Frank Lloyd Wright Quarterly for the Frank Lloyd Wright Foundation. She is the author of several books including Frank Lloyd Wright: The Western Work (1999), Prairie Style Houses and Gardens by Frank Lloyd Wright and the Prairie School (1999), Historic Bridges of Maryland (2001), and At Home on the Prairie, The Houses of Purcell and Elmslie (2006).
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Pedro E. Guerrero, Alexander Calder Answers his Mail, Saché, France, 1965
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Pedro E. Guerrero, Alexander Calder's Paint Studio, Saché, France, 1965
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Pedro E. Guerrero, Louise Nevelson with Salvaged Wood Sculpture, 1978
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Pedro E. Guerrero, Calder Studio Exterior with Mobiles, Saché, France, 1964
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Pedro E. Guerrero, Louise Nevelson at the Lippincott Foundry, North Haven, CT, 1979
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Pedro E. Guerrero, Calder Retrospective at the Guggenheim with "Guillotine pour huit", 1964
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Pedro E. Guerrero, Alexander Calder and Klaus Perls with "Le Guichet" at Lincoln Center, NY, 1965
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Pedro E. Guerrero, Calder Studio Interior, Roxbury, CT, 1964
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Alexander Calder, Red Gate, 1969
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Louise Nevelson, Series of Unknown Cosmos XXXIX, 1965
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Louise Nevelson, Untitled, 1974
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Louise Nevelson, Untitled, 1976-1978
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Louise Nevelson, Small Column Sculpture