Deborah Aschheim, Capitol No. 5 (Two Palm Trees), 2010
Ink on Dura-lar, 14 x 17 in. (35.6 x 43.2 cm)
DASCH058
Deborah Aschheim, Encounter Number 7, 2010
Ink on Dura-lar, 14 x 17 in. (35.6 x 43.2 cm)
DASCH071
Welton Becket, Capitol Records, Overall Tower Perspective., 1954
Blueprint on paper, 29 x 42 1/2 in. (73.7 x 108 cm)
Welton Becket, Architect
WBECK001
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and Billy Al Bengston Ed Ruscha, Business Cards, 1968
Photobook, 6 3/4 x 4 3/4 in. (17.2 x 12.1 cm)
First Edition
BABEDRU001
Brian Hollister, Notation LXXI (71), 2008
Oil on synthetic paper, 10 x 9 in. (25.4 x 22.9 cm)
BHOLL009
Brian Hollister, Notation LXXII (72), 2008
Oil on synthetic paper, 10 x 9 in. (25.4 x 22.9 cm)
BHOLL010
R. Nelson Parrish, Untitled, #40, 2011
Acrylic, wood, fiberglass and bio-resin, 13 x 13 x 3 1/2 in. (33 x 33 x 8.9 cm)
RNP063
R. Nelson Parrish, Untitled, #51, 2011
Acrylic, wood, fiberglass and bio-resin, 13 x 13 x 1 3/4 in. (33 x 33 x 4.5 cm)
RNP071
R. Nelson Parrish, Sunset Strip Motion Studies #16, 2010
Digital Archive Print, 20 x 16 in. (50.8 x 40.6 cm)
RNP035
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Lucas Reiner, Los Angeles Tree Series, On Venice Blvd, 2005
Monoprint and oil on paper, 13 x 10 1/2 in. (33 x 26.7 cm)
LR002
Lucas Reiner, Los Angeles Tree Series, On Western Blvd, 2005
Monoprint and oil on paper, 13 x 10 1/2 in. (33 x 26.7 cm)
LR003
Ed Ruscha, Edward Ruscha (Ed-werd Rew-shay) Young Artist, 1972
Photobook, 4 1/2 x 3 7/5 in. (11.4 x 11.2 cm)
Published by Minneapolis Institute of Arts
ERUS003
Ed Ruscha, Every Building on the Sunset Strip, 1966
Photobook, 7 x 5 1/2 in. (17.8 x 14 cm)
First Edition.
ERUS002
Joni Sternbach, 10.02.08 #4 Kathy Gidget, 2010
Unique Tintype, 8 x 10 in. (20.3 x 25.4 cm)
A tin type is usually produced on a metallic sheet (not, actually, tin) instead of glass. The plate is coated with collodion and sensitized just before use, as in the wet plate process.
JSTERN050