Shusaku Arakawa, The Sharing of Nameless, 1984-86
6-color etching with blind embossing, 36 x 56 in. (91.4 x 142.2 cm)
Edition of 60
SAR002
Buckminster Fuller, Geodesic Tensegrity Sphere, 30 Strut, 3 Frequency Dome, Edition 9 of 10, 1981
Stainless steel rods and stainless wire tendons
BFULL035
Buckminster Fuller, Watercraft - Rowing Needels, From Inventions Portfolio, Edition 7 of 60, 1981
Screenprinted clear film, a duotone screenprint on Lenox 100% rag paper, and a blue backing leaf of Curtis 100% rag paper, 30 x 40 in. (76.2 x 101.6 cm)
United States Patent Office no. 3,524,422, filed March 28, 1968, serial no. 716,957, granted August 19, 1970, inventor: Buckminster Fuller"
From the "Inventions: Twelve Around One" portfolio of thirteen screenprints and text by Buckminster Fuller published by the Carl Solway Gallery. Produced under the supervision of Buckminster Fuller by Colophon, Cinicinnati, Ohio. The edition is limited to 60 numbered portfolios (1-60) and 20 hors commerce (I-XX). Each print consists of two 30" x 40" screenprinted sheets, one of which illustrates drawings for a patent invention by Fuller, and the second sheet illustrates the realization of the concept. These two sheets may be presented separately, in two frames; or together, as an overlay, in one frame.
The patent invention drawings are screenprinted in white ink on a clear polyester film. A plain blue backing sheet, provided with each print, may be placed under the clear film patent drawings to create the effect of a blueprint. The accompanying photo realization of each invention is a screenprint on Lenox 100 percent rag paper. The text pages and blue backing sheets are Curtis Tweedweave 100 percent rag paper (made especially for the portfolio). Hand-signed and numbered by Buckminster Fuller on the clear film element.
BFULL033
Buckminster Fuller, Geodesic Tensegrity Sphere, 120 Strut, 4 Frequency Dome. Edition 1 of 1
, 1980
Aluminum rods and stainless wire tendons
BFULL042
Buckminster Fuller, Twelve Degrees of Freedom, Triad Part 1 of 3, Edition 5 of 10, 1980
Stainless steel rods and coated stainless steel tendons, 20 x 25 x 25 in. (50.8 x 63.5 x 63.5 cm)
BFULL018
Buckminster Fuller, Geodesic Tensegrity Sphere, 90 Strut, Triad Part 3 or 3, Edition 5 of 10, 1979
9' Stainless steel polished and stainless wire tendons
12 degrees freedom demo model.
BFULL037
Buckminster Fuller, Six Part Push/Pull Tensegrity, Triad Part 2 of 3, Edition 5 of 10, 1979
Stainless steel rods and stainless steel tendons
BFULL036
Buckminster Fuller, Geodesic Tensegrity Sphere, 30 Strut, 3 Frequency, Special Edition 1 of 1
Aluminum thin rod dome
BFULL040
Charles W. Moore, Memory Places, circa 1989
wood, toys, and found objects, 10 x 21 x 36 in. (25.4 x 53.3 x 91.4 cm)
CMOORE001
Paul Ryan, Paper Ritual 3, Sea Ranch, Edition 2 of 10, 1968
Archival Pigment Print, 12 1/4 x 18 1/2 in. (31.1 x 47 cm)
PRYAN022
Paul Ryan, Driftwood Village 2, Sea Ranch, Edition 2 of 10, 1966
Archival Pigment Print, 11 1/2 x 18 1/2 in. (29.2 x 47 cm)
PRYAN013
Rudolph M Schindler, Medical Building, San Vicente Front (119 N. San Vincente Blvd), Beverly Hills, CA, 1945
Graphite and colored pencil on heavy paper, 13 3/4 x 18 in. (34.9 x 45.7 cm)
RS007
Rudolph M Schindler, Perspective Rendering, Residence for Mrs. Laura Davies, Los Angeles, CA, 1921
Graphite on drafting tissue, 16 1/2 x 16 in. (41.9 x 40.6 cm)
One of the first A-frame designs in the United States (Gebhard 1972 p62) Dated by Gebhard 1922-24.
RS009
Rudolph M Schindler, Plan View; Standard Housing Unit, The Monolith Homes for Thomas R. Hardy, Racine, WI (While working in the office of Frank Lloyd Wright, Chicago, IL), 1919
Graphite on drafting tissue, 14 1/4 x 22 1/4 in. (36.2 x 56.5 cm)
RS005
Rudolph M Schindler, A Country Home in Adobe Constr' for Dr. T. P. Martin, Taos, New Mexico, 1915
Graphite, tempera and gold on heavy paper, 15 x 13 in. (38.1 x 33 cm)
RS008
Barbara Stauffacher Solomon, The Green Rectangle of Paradise, 1992
Graphite and conte crayon on paper, 11 x 8 1/2 in. (27.9 x 21.6 cm)
BSS004
Barbara Stauffacher Solomon, Fragment of Pershing Square, 1986
Graphite and conte crayon on tracing paper, 11 x 8 1/2 in. (27.9 x 21.6 cm)
BSS008
•
Barbara Stauffacher Solomon, Landscape with Arbors, 1983
Graphite and conte crayon on paper, 11 x 8 1/2 in. (27.9 x 21.6 cm)
BSS005
•
Barbara Stauffacher Solomon, Piazza Borghese, Rome, 1983
Graphite and conte crayon on paper, 11 x 8 1/2 in. (27.9 x 21.6 cm)
BSS003
Barbara Stauffacher Solomon, Living in Green Architecture, 1980
Graphite and conte crayon on paper, 11 x 8 1/2 in. (27.9 x 21.6 cm)
BSS006
Lebbeus Woods, Untitled, c. 1970
Watercolor, colored pencil, ink, and oil crayon on paper
Project Name: Miscellaneous 1970's (Men)
LW047
Lebbeus Woods, Untitled, c. 1970
Watercolor, colored pencil, ink, and oil crayon and transfer letters on paper, 22 1/4 x 15 1/4 in. (56.5 x 38.7 cm)
Project Name: Miscellaneous 1970's (Text Group)
LW049
Lebbeus Woods, Untitled, c. 1970
Watercolor, oil crayon, ink, and colored pencil on paper
Project Name: Misellaneous 1970's (Men)
LW051
Lebbeus Woods, Centricity Series, Upper Chamber, Neomechanical Tower., 1987
Colored Pencil on Paper, 24 x 23 in. (61 x 58.4 cm)
Gallery Services Storage # 48109.108
LW041
•
Lebbeus Woods, Aeon 12, from the Aeon series, 1981
Ink on vellum mounted to board, 30 x 20 in. (76.2 x 50.8 cm)
Project Name: Aeon
LW074
Frank Lloyd Wright, Elevation View; Barnsdall Theater. Olive Hill, Los Angeles, CA (Drawing by Rudolph Schindler while working in the office of Frank Lloyd Wright, Chicago, IL and Los Angeles, CA), 1917-1920
Graphite and colored pencil on drafting tissue, 14 1/2 x 23 in. (36.8 x 58.4 cm)
FLW017