FOG Design + Art Fair 2019 Booth 307

Shusaku Arakawa, The Sharing of Nameless, 1984-86

6-color etching with blind embossing, 36 x 56 in. (91.4 x 142.2 cm)

Edition of 60

SAR002

Buckminster Fuller, Geodesic Tensegrity Sphere, 30 Strut, 3 Frequency Dome, Edition 9 of 10, 1981

Stainless steel rods and stainless wire tendons

BFULL035

Buckminster Fuller, Watercraft - Rowing Needels, From Inventions Portfolio, Edition 7 of 60, 1981

Screenprinted clear film, a duotone screenprint on Lenox 100% rag paper, and a blue backing leaf of Curtis 100% rag paper, 30 x 40 in. (76.2 x 101.6 cm)

United States Patent Office no. 3,524,422, filed March 28, 1968, serial no. 716,957, granted August 19, 1970, inventor: Buckminster Fuller"

From the "Inventions: Twelve Around One" portfolio of thirteen screenprints and text by Buckminster Fuller published by the Carl Solway Gallery. Produced under the supervision of Buckminster Fuller by Colophon, Cinicinnati, Ohio. The edition is limited to 60 numbered portfolios (1-60) and 20 hors commerce (I-XX). Each print consists of two 30" x 40" screenprinted sheets, one of which illustrates drawings for a patent invention by Fuller, and the second sheet illustrates the realization of the concept. These two sheets may be presented separately, in two frames; or together, as an overlay, in one frame.

The patent invention drawings are screenprinted in white ink on a clear polyester film. A plain blue backing sheet, provided with each print, may be placed under the clear film patent drawings to create the effect of a blueprint. The accompanying photo realization of each invention is a screenprint on Lenox 100 percent rag paper. The text pages and blue backing sheets are Curtis Tweedweave 100 percent rag paper (made especially for the portfolio). Hand-signed and numbered by Buckminster Fuller on the clear film element.

BFULL033

Buckminster Fuller, Geodesic Tensegrity Sphere, 120 Strut, 4 Frequency Dome. Edition 1 of 1
, 1980

Aluminum rods and stainless wire tendons

BFULL042

Buckminster Fuller, Twelve Degrees of Freedom, Triad Part 1 of 3, Edition 5 of 10, 1980

Stainless steel rods and coated stainless steel tendons, 20 x 25 x 25 in. (50.8 x 63.5 x 63.5 cm)

BFULL018

Buckminster Fuller, Geodesic Tensegrity Sphere, 90 Strut, Triad Part 3 or 3, Edition 5 of 10, 1979

9' Stainless steel polished and stainless wire tendons

12 degrees freedom demo model.

BFULL037

Buckminster Fuller, Six Part Push/Pull Tensegrity, Triad Part 2 of 3, Edition 5 of 10, 1979

Stainless steel rods and stainless steel tendons

BFULL036

Buckminster Fuller, Geodesic Tensegrity Sphere, 30 Strut, 3 Frequency, Special Edition 1 of 1

Aluminum thin rod dome

BFULL040

Charles W. Moore, Memory Places, circa 1989

wood, toys, and found objects, 10 x 21 x 36 in. (25.4 x 53.3 x 91.4 cm)

CMOORE001

Paul Ryan, Paper Ritual 3, Sea Ranch, Edition 2 of 10, 1968

Archival Pigment Print, 12 1/4 x 18 1/2 in. (31.1 x 47 cm)

PRYAN022

Paul Ryan, Driftwood Village 2, Sea Ranch, Edition 2 of 10, 1966

Archival Pigment Print, 11 1/2 x 18 1/2 in. (29.2 x 47 cm)

PRYAN013

Rudolph M Schindler, Medical Building, San Vicente Front (119 N. San Vincente Blvd), Beverly Hills, CA, 1945

Graphite and colored pencil on heavy paper, 13 3/4 x 18 in. (34.9 x 45.7 cm)

RS007

Rudolph M Schindler, Perspective Rendering, Residence for Mrs. Laura Davies, Los Angeles, CA, 1921

Graphite on drafting tissue, 16 1/2 x 16 in. (41.9 x 40.6 cm)

One of the first A-frame designs in the United States (Gebhard 1972 p62) Dated by Gebhard 1922-24.

RS009

Rudolph M Schindler, Plan View; Standard Housing Unit, The Monolith Homes for Thomas R. Hardy, Racine, WI (While working in the office of Frank Lloyd Wright, Chicago, IL), 1919

Graphite on drafting tissue, 14 1/4 x 22 1/4 in. (36.2 x 56.5 cm)

RS005

Rudolph M Schindler, A Country Home in Adobe Constr' for Dr. T. P. Martin, Taos, New Mexico, 1915

Graphite, tempera and gold on heavy paper, 15 x 13 in. (38.1 x 33 cm)

RS008

Barbara Stauffacher Solomon, The Green Rectangle of Paradise, 1992

Graphite and conte crayon on paper, 11 x 8 1/2 in. (27.9 x 21.6 cm)

BSS004

Barbara Stauffacher Solomon, Fragment of Pershing Square, 1986

Graphite and conte crayon on tracing paper, 11 x 8 1/2 in. (27.9 x 21.6 cm)

BSS008

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Barbara Stauffacher Solomon, Landscape with Arbors, 1983

Graphite and conte crayon on paper, 11 x 8 1/2 in. (27.9 x 21.6 cm)

BSS005

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Barbara Stauffacher Solomon, Piazza Borghese, Rome, 1983

Graphite and conte crayon on paper, 11 x 8 1/2 in. (27.9 x 21.6 cm)

BSS003

Barbara Stauffacher Solomon, Living in Green Architecture, 1980

Graphite and conte crayon on paper, 11 x 8 1/2 in. (27.9 x 21.6 cm)

BSS006

Lebbeus Woods, Untitled, c. 1970

Watercolor, colored pencil, ink, and oil crayon on paper

Project Name: Miscellaneous 1970's (Men)

LW047

Lebbeus Woods, Untitled, c. 1970

Watercolor, colored pencil, ink, and oil crayon and transfer letters on paper, 22 1/4 x 15 1/4 in. (56.5 x 38.7 cm)

Project Name: Miscellaneous 1970's (Text Group)

LW049

Lebbeus Woods, Untitled, c. 1970

Watercolor, oil crayon, ink, and colored pencil on paper

Project Name: Misellaneous 1970's (Men)

LW051

Lebbeus Woods, Centricity Series, Upper Chamber, Neomechanical Tower., 1987

Colored Pencil on Paper, 24 x 23 in. (61 x 58.4 cm)

Gallery Services Storage # 48109.108

LW041

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Lebbeus Woods, Aeon 12, from the Aeon series, 1981

Ink on vellum mounted to board, 30 x 20 in. (76.2 x 50.8 cm)

Project Name: Aeon

LW074

Frank Lloyd Wright, Elevation View; Barnsdall Theater. Olive Hill, Los Angeles, CA (Drawing by Rudolph Schindler while working in the office of Frank Lloyd Wright, Chicago, IL and Los Angeles, CA), 1917-1920

Graphite and colored pencil on drafting tissue, 14 1/2 x 23 in. (36.8 x 58.4 cm)

FLW017