Shusaku Arakawa, The Sharing of Nameless, 1984-86
6-color etching with blind embossing, 36 x 56 in. (91.4 x 142.2 cm)
Edition of 60
SAR002
Buckminster Fuller, Geodesic Structures - Monohex, 1981
Screenprinted clear film, a duotone screenprint on Lenox 100% rag paper, and a blue backing leaf of Curtis 100% rag paper, 30 x 40 in. (76.2 x 101.6 cm)
From the Inventions: Twelve Around One portfolio, designed in collaboration with Chuck Byrne and published by Carl Solway Gallery. Includes three elements: screen printed clear mylar blue print drawing signed and numbered by Fuller in black ink; an acid free hand made blue paper sheet, and Black and White Duotone screen print photograph of Invention, either as realized work, or as conceptual model.
BFULL031
Buckminster Fuller, UNDERSEA ISLAND - SUBMARISLE, Edition 7 of 60, 1981
Screenprinted clear film, a duotone screenprint on Lenox 100% rag paper, and a blue backing leaf of Curtis 100% rag paper, 30 x 40 in. (76.2 x 101.6 cm)
United States Patent Office no. 3,080,583, filed June 8, 1959, serial no. 818, 935, granted March 12, 1963, inventor: Buckminster Fuller
From the "Inventions: Twelve Around One" portfolio of thirteen screenprints and text by Buckminster Fuller published by the Carl Solway Gallery. Produced under the supervision of Buckminster Fuller by Colophon, Cinicinnati, Ohio. The edition is limited to 60 numbered portfolios (1-60) and 20 hors commerce (I-XX). Each print consists of two 30" x 40" screenprinted sheets, one of which illustrates drawings for a patent invention by Fuller, and the second sheet illustrates the realization of the concept. These two sheets may be presented separately, in two frames; or together, as an overlay, in one frame.
The patent invention drawings are screenprinted in white ink on a clear polyester film. A plain blue backing sheet, provided with each print, may be placed under the clear film patent drawings to create the effect of a blueprint. The accompanying photo realization of each invention is a screenprint on Lenox 100 percent rag paper. The text pages and blue backing sheets are Curtis Tweedweave 100 percent rag paper (made especially for the portfolio). Hand-signed and numbered by Buckminster Fuller on the clear film element.
BFULL030
Rema Ghuloum, Layl Aswad, 2018
Oil, acrylic, and acryla-goauche on canvas, 66 x 52 in. (167.6 x 132.1 cm)
RGHU003
Rema Ghuloum, Moonrise (for Rita), 2017
Oil, acrylic, and acryla-goauche on canvas, 76 x 60 in. (193 x 152.4 cm)
RGHU001
Rema Ghuloum, Wild Thing, 2017
Oil, acrylic, and acryla-gouache, wax, gesso, and foam, 10 1/2 x 9 1/2 x 4 in. (26.7 x 24.1 x 10.2 cm)
RGHU007
Hans Hollein, Gebäude ev. Lintschinger (Building), 1960
Ink on paper, 11 3/4 x 22 3/4 in. (30 x 58 cm)
Framed
HHOL035
•
Hans Hollein, Gebäude ev. Lintschinger (Building), 1960
Ink on paper, 11 3/4 x 22 3/4 in. (30 x 58 cm)
Framed
HHOL036
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Jill Magid, Study for Homage to the Square Equilibrant, 1962, After Josef Albers, 2014
Oil on masonite, 24 x 24 in. (61 x 61 cm)
JMAG001
Alison O'Daniel, Falcon Perch for Hard Times, 2017
Steel, wood, brass, paint, 33 x 30 x 11 in. (83.8 x 76.2 x 27.9 cm)
AOD001
Alison O'Daniel, Longest Tone Poem, 2016
Steel, paint, ribbon, 144 x 24 x 12 in. (365.8 x 61 x 30.5 cm)
AOD003
Alison O'Daniel, Eyes and Mind, 2015
Steel, paint, ribbon, elastic, 144 x 60 x 46 in. (365.8 x 152.4 x 116.8 cm)
AOD002
Aili Schmeltz, Object/Window/Both/Neither XXXV, 2018
Graphite on paper, 96 x 120 in. (243.8 x 304.8 cm)
AISC001
Aili Schmeltz, 2 x 4, 2017
Cast bronze, 96 x 3 1/2 x 1 1/2 in. (243.8 x 8.9 x 3.8 cm)
edition 1 of 10
AISC003
Aili Schmeltz, Brick, 2017
Cast bronze, 3 5/8 x 8 x 2 1/4 in. (9.2 x 20.3 x 5.7 cm)
edition 1 of 10
AISC004
Aili Schmeltz, Cinderblock, 2017
Cast bronze, 16 x 8 x 8 in. (40.6 x 20.3 x 20.3 cm)
edition 1 of 10
AISC005
Aili Schmeltz, Object/Window/Both/Neither, 2017
Graphite on paper, 60 x 96 in. (152.4 x 243.8 cm)
AISC002
Paolo Soleri, 90/90, 1987
Colored pencils and crayons on black museum board, 40 x 32 in. (101.6 x 81.3 cm)
Part of the “SPACE FOR PEACE” drawing collection in the Paolo Soleri Archive
Anchored to the remains of the asteroid is the Eco-Minutia sphere partly landscaped and displaying water bubbles [spherical] and a habitat. The diameter of the asteroid is 3 miles. The population of the habitat is 3000, of which 50 percent are residents and 50 percent are space explorers or travelers.
PSOLE006
Paolo Soleri, LIGHT BLADES, 1987
Colored pencils and crayons on black museum board, 32 x 40 in. (81.3 x 101.6 cm)
Part of the “SPACE FOR PEACE” drawing collection in the Paolo Soleri Archive
The moon [Deimos of Mars?] has been hollowed to make room for the Eco-Minutia. Large fissures in the crust of the moon let light through crystal rods. The diameter of the asteroid is 10 - 30 miles. The population of the habitat is 30,000, of which 70 percent are residents and 30 percent are space explorers or travelers.
PSOLE007
Lebbeus Woods, Untitled, c. 1970
Watercolor, colored pencil, ink, and oil crayon on paper
Project Name: Miscellaneous 1970's (Men)
LW047
Lebbeus Woods, Untitled, c. 1970
Watercolor, colored pencil, ink, and oil crayon and transfer letters on paper, 22 1/4 x 15 1/4 in. (56.5 x 38.7 cm)
Project Name: Miscellaneous 1970's (Text Group)
LW049