The Skate Park as a Vessel to Contain Emptiness and the Imagination
September 10, 2019 - Tyler Stallings
“Empty Vessel” presents two new bodies of photographs by Amir Zaki featuring either vacant landscapes of skate parks or still-lives of shards from broken, ceramic containers. The shards are clearly from earthenware pots, but both subjects are “vessels” in that the skate parks are sunken into the clay of the earth. Hung in proximity to one another, sometimes juxtaposed, the images generate a complex conversation around the notion of “emptiness,” which includes removing presuppositions from one’s mind about what one is about to experience, is experiencing, or has experienced. By disentangling the mind of one’s own stories and worries, one can be open to other possibilities presented by perception itself. Thus Zaki’s “Empty Vessel,” as an exhibition, provides a platform for contemplating duality and the more ambiguous third space that exists between linked elements which cannot exist without each other: form and emptiness; function and aesthetics; holding and letting go; containing and emptying.
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