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Documentary - Lynn Aldrich: Uncommon Artist

May 6, 2016 - John Schmidt

Lynn Aldrich: Uncommon Artist is a documentary film that provides a poetically rendered portrait of Los Angeles-based sculptor Lynn Aldrich, a Guggenheim Fellowship recipient who attends to the most commonplace objects of consumer culture in the most uncommon ways.

Her artworks traffic in the readymade materiality of items purchased in hardware, craft, and office supply stores but Aldrich's handling and re-presentation of these materials consistently evoke and explore the possibility that transcendent orders of meaning are always shining through even the most trivial aspects of life. Beautifully shot and edited by filmmaker John Schmidt, this film opens a window into Aldrich's studio in the month leading up to her 2015 exhibition at Edward Cella Art & Architecture, Los Angeles. 

Publication - Ruth Pastine: The Inevitability of Truth

May 4, 2016

Edward Cella Art & Architecture is pleased to announce the publication of Ruth Pastine: The Inevitability of Truth. The catalogue features 43 pages with stunning full color images of the works and installation images from the exhibition. An essay by Sarah P. Hanson offers historical context for the work, and insight into Pastines's meticulous painting process.


Publication- Adam Berg: Natured

May 4, 2016

Edward Cella Art & Architecture is pleased to announce the publication of Adam Berg: Natured. 43 pages with full color images and an essay by Emma Kemp, the catalogue presents some of Berg's most ambitious steel and bronze sculptures to date. 


Art & Antiques

May 1, 2016 - John Dorfman

"With creations like these, today’s emerging designers are playing havoc with the modernist mantra “form follows function”— unless the function is to provide delight as well as utility, to stimulate the imagination as well to support the body. The design scene is being pervaded by a spirit of exuberance and playfulness, and something more—a sense that the traditional separation between design object and work of fine art is arbitrary and obsolete."

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Exhibition: Woven at the Descanso Gardens' Sturt Haaga Gallery

April 25, 2016

Woven at the Descanso Gardens' Sturt Haaga Gallery
May 17 - August 28, 2016 

Like weaving itself, the premise of this exhibition is both simple and satisfyingly complex. When the purpose of weaving transcends utility and enters art, we see in full the many meanings and association to be found in the act of weaving, and in things woven. Artists included are Marsia Alexander-Clarke, Melanie Ciccone, Clifford Eberly, Susan Feldman, Agustin Garza, Jenny Hart, Nicholette Kominos, Dinh Q. Le, Kristin Leachman, Jairlyn Mason, Thinh Nguyen, Echiko Ohira, James Richards, Meriel Stern, Andrew K. Thompson, Joan Weinzettle, Pontus Willfors.

Feature: Interior Design Magazine

April 7, 2016 - Edie Cohen

On Laurie Frick's installation at Neustar Corporation in San Francisco. 

"'Art corresponding to what they do.' That was the solution proposed by Studios Architecture associate Kelly Mocock when she was designing the San Francisco office of a data-management concern, Neustar. So Mocock started searching the Internet, which brought her to an installation by Laurie Frick."

Award: John Simon Guggenheim Fellowship

April 6, 2016

The John Simon Guggenheim Memorial Foundation has awarded George Legrady with a 2016 Guggenheim Fellowship in support of his art. 

"Throughout his artistic career, Legrady has pursued a highly visible experimental and research-oriented artistic practice that integrates digital computer technologies with photography, conceptual art, and art theory. The proposed artwork to be realized with support of the Guggenheim Fellowship is an installation titled, “Aesthetic Metavision,” that builds on a recently realized series of projects, “Swarm Vision”, “Exquisite Vision”, “AutoVision,” which have evolved out of bridging arts and engineering questions concerned with training an autonomous multi-camera system to acquire aesthetics-defined behavior and agency."

To read the full profile, click here.

Review: AEQAI

March 2, 2016 - Anise Stevens

Farewell, Eden, at the Descanso Garden's Sturt Haaga Gallery
February 22 - April 3, 2016

The Clash of Nature and the Human Imprint in "Farewell, Eden"
"During the 19th century, landscape painting was a popular form of expression for artists to celebrate mankind’s dominion over nature. Pastoral scenes of manicured lawns, tamed gardens and ripe harvests depicted a peaceful, almost perfect world where man and nature thrived in harmonious union.

Currently on view at Descanso Garden’s Sturt Haaga Gallery, “Farewell, Eden” presents us with a much different perspective. Now that our ecosystem has been severely compromised after years upon years of so-called human progress, our old, romantic notions about nature no longer apply as an accurate representation of our planet’s health. Comprising 62 pieces by 13 Los Angeles based artists, “Farewell, Eden” poignantly articulates this reality across three gallery spaces, each of which afford viewers visual contact with the surrounding gardens." 

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Review: ArtForum

March 1, 2016 - Suzanne Hudson

Atmospheric Abstraction, Quint Gallery, San Diego, Ca
December 12 - January 30, 2016 

"For De Luca, color (and especially colored light) evokes place, specifically Los Angeles. Her paintings often bring to mind dusk, their palettes keyed to such familiar referents as gathering clouds and incandescent sunsets. Planetary orbs recur within the image fields, and brass, nickel, and copper frames appended to border sections of the panels likewise appear throughout, serving as compositional elements that reflect ambient light onto geometric representational forms where they meet the painted gradients."

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Review: Artillery Magazine

February 24, 2016 - Anne Martens

George Legrady: Day & Night at Edward Cella Art & Architecture
December 12 - January 23, 2016

"In all of these photographs time is unclear. Is it dusk, midnight, midday, or day and night simultaneously? If optical effects seem like figments of the imaginiation, then what persists is a kind of twilight."

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