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Laurie Frick

Feature: The Huffington Post

July 15, 2016 - Sarah DiGiulio

"We track a lot of data about ourselves. Steps walked, stairs climbed, heart rate and, if you wear an Apple watch, skin temperature.

People don’t know what to do with it, artist Laurie Frick told The Huffington Post. Some people get creeped out by all the data. Some people find it uncomfortable. Yet, according to Frick, 'it’s the secret about who we are.'

'I think in the future we’re going to consume our data as art,' she said. 'I think it’s going to be irresistible.'"

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Feature: Interior Design Magazine

April 7, 2016 - Edie Cohen

On Laurie Frick's installation at Neustar Corporation in San Francisco. 

"'Art corresponding to what they do.' That was the solution proposed by Studios Architecture associate Kelly Mocock when she was designing the San Francisco office of a data-management concern, Neustar. So Mocock started searching the Internet, which brought her to an installation by Laurie Frick."

Hyper Allergic Review

July 22, 2015 - Allison Meier

Personal Data Surveillance as Modern Portraiture: The constant data collection on our lives, from iPhone usage to subway card swipes, transforms through Laurie Frick‘s art into portraiture.

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The Atlantic Feature

May 14, 2015 - Jacoba Urist

From Paint to Pixels: A Growing number of artists are using data from self-tracking apps in their pieces, showing that creative work is as much a product of its technology as of its time. 

Hartford Courant Review

January 8, 2013 - Susan Dunne

'Making Tracks' By Laurie Frick at Real Art Ways

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Art Scene Magazine Review

March 1, 2012 - Jim Daichendt

Art Scene Magazine reivew of Death and Life of an Object

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Austin American Statesman Review

January 1, 2012 - Jeanne Claire van Ryzin

New installation gets down to the nitty-gritty. 

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The Austin Chronicle Review

January 1, 2012 - Wayne Alan Brenner

The Austine Chronicle reivew of Laurie Frick: Quanitify Me

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Huffington Post Review

January 1, 2012

Laurie Frick's Self-Quanitifying Patterns Track the Unique Patterns of Ourselves.

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Los Angeles Times: Culture Monster Review

March 3, 2011 - Leah Ollman

Art review: Laurie Frick at Edward Cella

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